Natacha Rambova
1 Film
Natacha Rambova
1 Included Film

Natacha Rambova (Winifred Shaughnessy, January 19, 1897 – June 5, 1966) was an American film costume and set designer, best known for her marriage to Rudolph Valentino. Although they shared many interests such as art, poetry and spiritualism, his colleagues felt that she exercised too much control over his work and blamed her for several expensive flops. In later life, she continued her spiritualist activities, as well as studying Egyptology. When Kosloff was hired by Cecil B. DeMille as a performer and costume designer for Hollywood films, Rambova carried out much of the creative work as well as the historical research. Kosloff would then steal her sketches and claim credit for them as his own. Both professionally and personally, her partnership with Kosloff was tempestuous. He was a controlling and abusive man with many other lovers, who once shot her in the leg when she tried to leave him. When Kosloff started work for fellow-Russian film producer Alla Nazimova at Metro Pictures Corporation (later MGM), he sent Rambova to present some designs. Nazimova requested some alterations, and was most impressed when Rambova was able to make these changes immediately in her own hand. So she offered Rambova a position on her production staff as an art director and costume designer, enabling her to leave Kosloff at last. Rambova's first film for Nazimova was Billions (1920), followed by Uncharted Seas (1921), on which she first met Rudolph Valentino, and the two of them worked together on Camille. Although Valentino was still married to American film actress Jean Acker, he and Rambova moved in together within a year, having formed a relationship based more on friendship and shared interests than on emotional or professional rapport. They legally remarried on March 14, 1923. From 1927 Rambova ran an elite couture shop on Fifth Avenue, until she met her second husband Álvaro de Urzaiz, a British-educated Spanish aristocrat on a trip to Europe in 1934, and they went to live on the island of Mallorca. In the Spanish Civil War, Urzaiz was on the pro-fascist nationalist side, becoming a naval commander. Rambova fled to Nice, where she suffered a heart attack at age 40. Soon after, she and Urzaiz divorced. Rambova remained in France until the Nazi invasion, when she returned to New York. Her interest in the metaphysical grew during the 1940s, and she supported the Bollingen Foundation, through which she believed she could see a past life in Egypt. She published articles on healing and astrology, and helped decipher ancient scarabs and tomb inscriptions, which led her to edit a series titled Egyptian Texts and Religious Representations. She also conducted classes in her apartment about myths, symbolism and comparative religion. In the mid-1960s she was struck with scleroderma, and became malnourished and delusional as a result. A cousin brought her to Pasadena, California where she died of a heart attack on June 5, 1966 at the age of 69. Her ashes were scattered in Arizona.

Director: George Melford
Kino Lorber OOP Blu-ray is exactly the same restoration as the later Paramount Blu-ray, however Paramount Blu-ray runs at a much faster 24fps while Kino Lorber runs at 21fps. According to Paul Cuff's research into the correct fps and length, Kino Lorber is closest to the original 22fps by repeating frames to achieve 21fps in 24fps.
Kino Lorber has the same Bellon score as Paramount VHS and Paramount Blu-ray, but obviously Paramount Blu-ray runs a faster tempo due to changed fps
The Bellon score never uses the “Kashmiri Song” that is cited in the film’s intertitles and sung by Valentino on screen. This may well be because the intertitles of the VHS version (for which the score was composed) are from the reissue print, which changes the wording of the Sheik’s song—and thus loses the context of the original song.
While no substitute for a real orchestra, the theatre organ score by Ben Model for the Kino Lorber edition at least quotes the “Kashmiri Song” at the appropriate moments.
Read more in the realm of silence review

Director: George Melford
Kino Lorber OOP Blu-ray is exactly the same restoration as the later Paramount Blu-ray, however Paramount Blu-ray runs at a much faster 24fps while Kino Lorber runs at 21fps. According to Paul Cuff's research into the correct fps and length, Kino Lorber is closest to the original 22fps by repeating frames to achieve 21fps in 24fps.
Kino Lorber has the same Bellon score as Paramount VHS and Paramount Blu-ray, but obviously Paramount Blu-ray runs a faster tempo due to changed fps
The Bellon score never uses the “Kashmiri Song” that is cited in the film’s intertitles and sung by Valentino on screen. This may well be because the intertitles of the VHS version (for which the score was composed) are from the reissue print, which changes the wording of the Sheik’s song—and thus loses the context of the original song.
While no substitute for a real orchestra, the theatre organ score by Ben Model for the Kino Lorber edition at least quotes the “Kashmiri Song” at the appropriate moments.
Read more in the realm of silence review
1 film